Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

New Releases, Audiobooks and an Early Easter Sale!



One Summer in Montmartre audiobook is live! I thought about doing an audiobook for a long time, but hesitated to take the plunge. However, after a reviewer's encouragement (thank you, Steve!) I finally went for it. As my first audiobook it was a real learning curve, but I’m thrilled with the final result. One Summer in Montmartre was also the first book I published on Amazon in 2014 and has a special place in my heart. There's also a large print version for those who are visually impaired but still enjoy reading. 

Here’s the blurb:
Paris 1873: Despite being a devoted husband and father, Luc Marteille, a charismatic Impressionist artist, becomes obsessed with his young model, Hélène. Flattered by his attentions, she becomes torn between Luc and her fiancé; and faces a decision that could destroy the lives of everyone around them.
Paris, 2007: Grieving over the death of her son, and with her marriage in trouble, Anna's life is falling apart. When a long-hidden love letter is discovered in the back of her favorite painting, she seizes the opportunity to go to Paris. Intending to research Hélène, the mysterious recipient of the letter, she is thrown together with the arrogant François. Dependent on his help, Anna realizes the tension between them is attraction. Should she continue a lifetime of playing it safe or listen to her heart?
 
You can download the audiobook as one of two books in a free trial with Audible: 



I hadn't planned to publish another new book this week, but I recently pulled together and polished some short stories I’d written, and my marvelous editor returned them sooner than expected. So I'm thrilled that my first short story collection, Untender Lives, is live!
 


Here’s the blurb:
Five compelling stories about five women who face very different challenges—some more common, some less so. From a young rock singer, who wonders if her dream of success is about to disappear, to a billionaire, who’s looking for a shortcut to salvation, this entertaining mix of genres is perfect for a quick read.
The book is now available at all amazon stores and free with Kindle Unlimited. 



And last, but by no means least...an EARLY EASTER SALE!!

If you want to grab a bunch of my books to read immediately or over the Easter break, now’s the time to go for it. From today Saturday 24th March to 26th March the following books are free or part of a kindle countdown deal.  

Happy Easter reading!

To download:  go to your country's amazon page, type in Teagan Kearney in the search box, click on the book(s) you want, and when you arrive on the book's page, download and enjoy!

This weekend, the following books are FREE :



The following two books are part of KIndle Countdown Deals:
The Kala Trilogy countdown deal starts 24th March. One Summer in Montmartre countdown starts 25th March.
Both books are 99 cents the first day.




That's all for now, folks. I'm off to start Book Three of the Saoirse Saga, and in the meantime, a genuine thank you for your invaluable support. Have a great Easter break.

Stay well, keep reading and best wishes,
Teagan.



Veiled Planet Revealed



After an intense week of editing, tweaking, and formatting, I uploaded Veiled Planet to Amazon yesterday. Pressing that 'Publish Now' button is always a thrilling, yet nerve-wracking moment.

I want to let you know that the book is $.99 for its first week of release (until the 30th June), after which the price will be $2.99) or free if you're with Kindle Select. 

Here's the first chapter of the book, and I hope you enjoy the start of Kara's journey.


Veiled Planet© 

Chapter One: An Encounter

Kara squinted, peering through the tall, thin jezebel trees. Their bare pallid trunks crowned with wide red leaves provided shade from the midday sun, but not from the heat, and she periodically wiped the sweat off her forehead before it dripped into her eyes. She could see where the upward trail led, but there wasn’t a single olive green cadet uniform in sight.
“Hey, wait for me!” Kara winced at the saw-edged whine in her voice, but they should have waited. The core element in this test was cooperative functioning as a team, and leaving someone behind broke the first rule of colony survival—you didn’t abandon anyone. If she didn’t catch up, she’d drop back to bottom ranking in her class. Not the result she wanted after she’d spent the last year clawing her way up two paltry places. Where in the universe were they?
Kara blew out a breath of frustration, ran her sweaty hands through her short hair, and put her sulk on hold. Lifting one foot at a time and putting it down while scrutinizing the ground for signs of spring-beetle occupancy took every bit of her attention. The small pyramidal mounds were thankfully absent. A bite from the insect, while not life threatening, could swell to horrible proportions. Her study of the insects last semester had given her far too much insight into the varying sizes and discomforts of post-bite swellings.
Two corco birds flew high above the canopy, cackling to each other as their heavy wings beat the air with a soft thump thump. They were herbivores, although there were still many unknown species of plant and animal on the planet awaiting detection and classification.
Kara halted for a second to observe their ungainly flight. Next year she would begin studies in her chosen subjects—botany and biology. She ignored the flush of guilt at the thought of the tiny gold speckled plants which had caught her eye. She was fully aware this wasn’t a field trip, but the urge to pop a couple into one of the specimen bags she always carried had been overwhelming. That was probably when she’d dropped behind, but one way or another, she would finish this course. If it had to be without the support of the rest of the class, so be it.
Since she’d become a student at the academy two cycles ago, she’d had plenty of experience of being the outsider. Joining the class late, because she’d remained with her father after her mother died, made her different from the rest. Friendships, cliques, and lines of allegiance were already long cemented by the time she arrived. Her shyness had been interpreted as unsociability, and her absorption in her studies seen as boring. Then there was her lack of interest in team games. She had what was called a delicate build which translated into a lack of enthusiasm for the more physical aspects of cadet training. Kara didn’t consider herself weak, she just wasn’t the least bit interested in throwing her classmates onto the practice mats and giving loud shouts every time she did so. The local flora and fauna were far more fascinating, and at least they couldn’t make nasty remarks about her within her hearing.
Her pack contained a map of the route, water, an emergency medical kit, and enough basic rations to ensure survival. Naturally, there was no comunit because calling for help defeated the point of the exercise. The original treaty with the Maruts, the planet’s indigenous hominids, prevented a true survival experience because they were forbidden to go beyond their settlement area, but now, alone—even though she was within a two-day's walk of the colony—this so-called practice was worryingly more authentic than she’d anticipated.
Fifty cycles ago, the Triumvirate gained permission from the Maruts for a colony on the planet, and the settlers’ situation was still far from permanent. Dangers from the flora and fauna, a variable climate, and the planet’s position at one end of a galaxy spiral placed it in the category of a limited outer world. But for Kara, it was home.
She mentally ran through the list of worst possible dangers as she continued up the trail. The small red-humped salamanders were dangerous when they were in heat and defending their territory, but thankfully this wasn’t the season. Kallin bears hadn’t been spotted anywhere near this location for the last ten cycles, and this area wasn’t on the seasonal migratory route of the Maruts. However, these were merely a few dangers on a long list. She shunted these thoughts aside, lumping them together with her irritation and resentment.
Kara ignored the mid-day heat as the hot Hamarkhian sun beat down on the forest, and wiped away the sweat trickling into her eyes with the back of her hand. She listened for indications that her companions were up ahead. Nothing. Her heart started to pound and she sucked in small puffs of warm air as she heard her father’s instructions in her mind. If you’re out there alone, be alert and don’t think about anything else except for what’s around you. Focus on the next step that’ll get you back to safety. Survival is a matter of breaking down the major objective of staying alive into smaller, achievable tasks.She closed her eyes for a minute breathing slow and deep  till her pulse slowed and her flight impulse subsided.
If she didn't complete the exercise but retraced her steps to the starting point by going back down the hill, the entire unit would fail the exercise, drop their group rating, and have to repeat it after the term ended. This would give the other cadets more reason to resent her than they already did. If she finished the course, they wouldn’t achieve top ranking, but at least the assignment would be complete. Memorizing the route had been part of the preparation, and all she had to do was continue up the mountain to the summit, turn left and follow the trail till she arrived back at the spot where they’d camped last night. Easy.
Ignoring the burning ache in her calves, she pushed herself and walked faster, clinging to the small hope that maybe a couple of cadets had been instructed to wait for her at the top of the hill. Yet a knot of anxiety remained, no matter how frequently she told herself everything was going to be fine. After another spell of steep climbing, the thinning trees warned her she was approaching the edge of the forest. She’d catch up with them soon. The trouble with fear is it doesn’t stay boxed away.
Abruptly the forest ended, and a stretch of bare red rock led up to the summit. Here and there, the hardy brownish native moss had secured a grip, giving the landscape a burned mottled appearance and the slight breeze lifted small curls of dust. But there was no sign of any cadets.
Thank the stars this wasn't the storm season, although on Hamarkhis no season was without irregularities as weather patterns were notoriously unstable and hard to predict. If a storm had unexpectedly blown in from the desert, the group leader, Nina, would have received notification as she had a comunit for emergencies—which was no help to Kara.
She would have loved to collect more specimens but was far too aware of the price she was paying for her last stop. She listened and checked ahead before leaving the shelter of the trees. The low drone of the forest’s inhabitants rose and fell behind her.
Where in the universe had they gone? Sixteen trainee cadets on a routine survival exercise couldn’t disappear. Practical jokes were the warp and weft of dorm life but this wasn’t funny. Anything might happen. Kara’s anger skyrocketed, and she stormed ahead with her eyes fixed on her goal as outrage fueled the last half klick to the summit. Well, no one was going to be laughing when she reported this to Commander Trench.
As she mounted the final slope, she forgot her predicament and gasped in pleasure at the view. Row after row of red jagged peaks, crowned with snow, marched to the horizon. These mountains were the start of the Founders Range and covered the northern third of the continent.
Pre-settlement surveillance had discovered the Maruts pastured their herds of satyrs in valleys peppered throughout this range. An anthropologist among the first colonists had nicknamed the herbivores satyrs, a creature out of an ancient fable, as a joke, and the name had stuck. However, the Maruts didn’t keep satyr herds for their meat, but for their coats which molted seasonally; they used the thick satyr wool and satyr hides for clothing, housing, carpets, tents. They milked the satyrs as well, which produced at least half a dozen food products. The satyrs were the basis for their way of life, and without them the Maruts could face extinction.
Kara searched the slope below. No sign of her team-mates. How had she dropped this far behind? She hadn’t been that slow, had she? She started walking, but half-way to the summit, her stomach started making loud noises, and she figured she ought to eat. Basic survival training began early. The necessity of staying hydrated and fed was drummed into children living in a world of hidden hazards.
She didn’t bother about the spring-beetles―the forest was their habitat―but sat on a handy outcrop of rock and stuffed the bland emergency rations into her mouth, glugging the tepid liquid from her water bulb. The concentrated bars of essential vitamins and minerals were light to carry and quick to digest, and she brushed the final crumbs off her hands ready to face the downward trail. She would have to get moving if she wanted to reach camp before darkness fell.
Then she heard it.
A low growling, some distance away, behind and below her. The hairs on the back of her neck stood up as she recognized the sound. It was one every colonist was familiar with, but only through educational holovids. She turned, and froze as a huge red and green kallin bear emerged from the forest. Kara stared, stunned, then pinched her arm hard. No, she wasn’t hallucinating.
The beast raised its giant snout and sniffed the air. Catching her scent, the animal paced toward her, paw by gigantic razor tipped paw.
Kara’s training kicked in, and she pressed the adrenaline patch on the underside of her arm, releasing its one dose. As the hormone mixture flooded her bloodstream, enhancing her responses and donating an artificial mental clarity, she recognized she had no way of escape, and was unlikely to survive this encounter. A rapid stream of thoughts flashed through her mind. If only those in charge of such matters had anticipated needing more than one adrenaline boost. If only the others had waited, together their prospects would have been better, and what a story that would have been to tell her father. Rage at her classmates’ carelessness swept through her, and she cursed them a second time.
Tracking the giant predator’s progress, Kara removed the stunner from her belt with careful slow movements.
The animal began to charge, gaining momentum as it grew closer.
Logic and reason informed her there was no way she could outrun the beast, even if she’d been in the forest, as its formidable sense of smell would allow it to track her scent as easily as following a lit pathway. She remembered the kallin bear’s swiftness and natural weaponry made it one of the dominant mammals on this planet. She very nearly smiled; her last moments and all she could summon up were facts from a biology lesson.
She raised the pistol, it had a range of approximately a quarter of a klick, but she was a lousy shot. Martial arts, self-defense, in fact, any of the physical skills that helped the colonists survive fell into the category of no ability and even less interest. But while Kara intellectually understood the longer she delayed the more she increased her chances of hitting the creature, her hands shook as she observed the slavering mouth and sharp canines as the bear increased its speed.
The bear’s fast rolling gait made it hard to get a fix on a vulnerable spot, but she zeroed in on the left eye. She aimed, fired, and hit the animal in the shoulder. Damn. She fired another shot. The stunner had ten more shots before it needed recharging, but the rabid predator closing in on her clearly had a quick lunch on its mind. Her next shot hit the upper chest and made not a whit of difference to its approach. She fired again, and the stun charge struck close to her first shot. The animal’s pelt shivered, but it came on relentlessly. An irrational urge to flee seized her, but the bear would outpace her in minutes, if not seconds. No, she’d stand and face her death. She fired repeatedly. With each hit the creature keened, an eerie high-pitched moan, began to slow but didn’t stop.
She kept count in her head. Three shots left. Nothing worse than thinking you have ammunition you haven’t, their instructor had joked at every session as he hammered the necessity of this procedure over and over into their brains.
The bear finally slowed and part of her mind continued analyzing the animal even as the gap between them narrowed. She noted the unkempt fur, emaciated hide, and the prominence of its ribcage. The beast must be far from its home territory, making it more dangerous as its need for her warm-blooded flesh was greater.
At this distance, she couldn’t miss, and, as the bear closed, she could see its red pupils and smell its rank fetid breath. She pumped out the last shots, clinically observing the bear’s pelt shimmer and quiver, as each shot hit home, yet she still managed to miss its vital organs. After the last shot, and impelled by an undeniable primal compulsion, she turned and fled—her last chance as the adrenaline boost would only last for another few minutes.
After inhaling the delicate flavor of a prospective meal, the bear, galvanized by the sight of its prey escaping, intensified its pursuit.
Kara scrambled and slithered down the escarpment, trying to avoid the small boulders and stones littering the surface. She hit a patch of shale and lost her balance. Sharp stones scraped the skin off her arm as she slid. Stumbling to her feet, she threw a backward glance at her pursuer and noticed the bear had slowed. The stun shots had finally had some effect, and she’d gained a tiny lead. She sucked in a deep breath and took off running.
Then it happened. Her foot landed on a small rock, and as her ankle turned, she lost her balance and toppled sideways. A fierce stabbing pain shot up her leg as her full weight bore down on the twisted ankle.
The bear stalked toward her, its massive claw-tipped paws moving softly on the slope. She tried to get up but arrows of agony shot up her leg. She hadn’t panicked, and had given her best, but she was going to die. If her father could have seen her, he would be proud of her. Shortly she would join her mother.
The last of the adrenaline drained out of her body and she shut her eyes as the backlash of fatigue hit. Shaking and terrified, she curled into a fetal position, and squeezed her eyes tight as she attempted to block out the awful sight and sound of her approaching death. She lay paralyzed, expecting to feel the kallin bear’s teeth and claws rip and shred her skin and muscles at any second as it prepared to feed. Please let it be quick, she begged.

***

If you enjoy stories full of drama, action, intrigue with a romantic twist, and a strong heroine, then click the link and enter Kara’s world today.

Amazon.com:  http://tinyurl.com/y9o3boh7  
Amazon.co.uk: http://tinyurl.com/ycjeqcmm

Amazon.ca: https://tinyurl.com/y9cl7wyd
Amazon.au: https://tinyurl.com/y9herqjf

Thank you so much, because writers need readers!

Stay well, keep reading, and best wishes,
Teagan.

Another step on the journey...


When I’m asked why I write, the answer is pretty straightforward—there’s a story (an idea or a scene or a character or a combination of all three) in my head that's occupying my internal landscape, and the only way to maintain some semblance of sanity is to write it down. Once I start writing, I fall in love with the process of transforming whatever is living in my imagination into something visible. This has the advantage of clarifying and creating sense out of what is often a nebulous concept.

The beauty of this misty amorphous idea is its openness—the potential is cosmic—especially when writing science-fiction/fantasy/urban fantasy. The downside is while I’m having a brilliant time in my own sweet world, I can’t share it in this form. The upside of writing and publishing a book is that the conversion from abstract to concrete is complete.

Of course, there is always the possibility that no one else on the planet has any interest in what goes on inside my head, but the desire to share, to give back, and, hopefully, for others to enjoy my stories is a powerful one.

Veiled Planet started life in 2014, written in a blast of furious activity as a NaNoWriMo project. This is an annual internet-based creative writing challenge  that takes place during the month of November where the goal is to write 1,667 words a day, and emerge at the end with a 50,000 word first draft of a novel. This is a serious task if you’re working, have kids, or any kind of social life, but gives aspiring writers the chance to flex and build their creative muscles. The sense of achievement I got from participating and achieving my target inspired me to keep writing.

I put the rough draft aside and kept it as something to work on while I rested whatever novel I was writing at the time. Okay, it has taken several years more than anticipated to expand and edit that draft. However, Veiled Planet is due back from my editor at the end of this week, and that means the pre-publish butterflies are starting to flutter as I’m aiming to publish mid-June. This is the first book in the Hidden World Trilogy, though I’ve made a promise to myself that Book Two will not take another three years to write and publish.

I’ve always read science fiction since my older brother started buying paperbacks way back when, but apart from a flash fiction story, this is my first sci-fi novel. The book also falls into the YA (young adult) category as the heroine, Kara, is eighteen, and the story tells of her journey from an introverted student to a strong young woman who faces tremendous odds in a fight to choose her destiny. (Yes, that’s me cheering ‘Go, Kara!’ from the sidelines.)

I’m thrilled, apprehensive, and can’t wait to release Veiled Planet.
Best wishes

February Festival!

                                    


By now memories of Christmas and New Year’s Eve celebrations are fading, and where I live in the northern hemisphere, January is gloomy and dark. Thankfully by mid-February the days are getting longer, and waking up to a sky filled with gold and peach fringed clouds, and coming home in daylight instead of a gloom filled twilight always cheers me up. (Am I jealous of those of you who live in the southern hemisphere and are now enjoying summer sunshine? You bet!)

Yet February isn’t lacking in festivals to cheer us up. The most well-known in the English speaking countries are Pancake Day, (my favorite is lemon juice and maple syrup… yum!) Mardi Gras, (on my bucket list in New Orleans) and of course, Valentine’s Day.


However, I'd like to tell you about another festival taking place—and this one is for readers. From  today, February 13th, through to Sunday 19th, there's a fantastic opportunity to download a brilliant selection of free books from the 
Science Fiction and Fantasy Promotion, where a number of authors have joined together to share their work.


I know taste in books is personal, just like food, clothes, and everything else in life about which we make decisions, but you don’t have to be a fan of the genre to enjoy these books. For those of you who don't read either science fiction, fantasy, or any of the many sub-genres, I would ask you to, at least, look through the wide range of books on offer in this freebie promotion, and encourage you to give these authors a chance. A good story is about people and relationships, irrespective of the setting, and you might find yourself pleasantly surprised. Give it a go!


Click the link, choose your book, and enjoy!
http://sffbookbonanza.com/freebooks/

Curling up with a good book in a cozy chair is one of life's pleasure, so be sure and let your friends know.

Stay well, keep reading, and best wishes.


Fantasy: why do I write in this genre?


Truth becomes fiction when the fiction's true;
Real becomes not-real where the unreal's real.

The above quote is from the Chinese classic, Dream of the Red Chamber, and if you look at Wikipedia's list of top selling books of all time, six out of the top eight are fantasy, or have strong fantasy elements, so I'm not alone in being a fan of the genre. But why is fantasy, and I'm using the term loosely as there are many sub-genres, so popular?

I'm taking it as a given that genre delineation is a marketing tool used to direct readers to a particular type of book, because all stories, irrespective of genre, share the same basic requirements: a protagonist, a plot, and a setting.

Human protagonists experience a range of emotions, which enables readers to engage with them, and even those that are not, for example, robots or little furry animals, exhibit some or all of the same feelings. Whether your character is Leopold Bloom, Bilbo Baggins, Scarlett O'Hara or Miss Marples, readers must want to follow their journey, and find out what happens to them. A character's relationships, and their success or failure in this area of life are part of the emotional appeal of a story.

The term plot is used to describe the sequential events that take place within a story, and follows the standard dramatic arc of increasing internal and external tension, climax and resolution. From folk tales and myths to Greek tragedy, through Shakespeare's comedies to modernist novels, you find this convention. The reader's expectations about character and plot are present whether you read or write crime/detective, magic realism, rom-com, fantasy, fan fiction, or the genre known as literary fiction, and if you tick these boxes, you have a chance of satisfying readers.

For me, the setting of a fantasy novel offers a greater opportunity to bend the rules, although sub-genres such as urban fantasy or postcyberpunk, take place in the world as we know it, or use elements of our world with plenty of gritty kitchen sink realism thrown in. We owe a great debt to the myths and folklore of our ancestors, which we are adapting and passing on to the next generation. Tolkien's use of Norse mythology in Lord of the Rings springs to mind.

A more tricky aspect of genre writing is the framework created by established books which generates limitations. Fairies, elves, and space explorers are generally good, whereas trolls, goblins, and aliens are the standard baddies (except E.T. of course). On the other hand, you could have fun playing with these accepted norms, and feature a teenage troll worried about his complexion, although I'm sure the robot who constantly cracks bad jokes has been done. It's a delicate balance for genre writers to follow these conventions and yet introduce something new and original. If a writer is successful in doing so, their contribution is added to the cannon for later writers to follow.

As a reader and a writer, it's the otherness of fantasy that is its greatest appeal to me, and because the genre is generous, it can include romance, mystery, and be a thrilling tale of suspense on as epic or small a scale as the writer wishes. Sometimes the further we travel in our imagination away from the external world perceived by our senses, the more understanding we gain.

Writing Update:
In January I'll start outlining book three of my urban fantasy trilogy, Samsara, (Books One and Two are available), and until then, I'm editing a science-fiction/fantasy nanowrimo novel. Some years ago, I wrote a fantasy novel, and digging the manuscript out from the depths of a drawer, and reworking it is on the to do list. Although I've written in other genres, I keep returning to fantasy and my first love—sci-fi.

I was very happy to be interviewed earlier this month by the fantasy author, Kellie Steele, and you can find the interview on her website, as well as information about her debut novel, White Ghost and the Poison Arrow.


Useful Links:
http://kellie-steele.weebly.com/blog/

Today's haiku:
snow lies on the ground
one red apple left hanging -
blackbird finds a feast.

Join me on Twitter at: @teagankearney

Thanks for visiting my blog, and please do leave a comment.
To all story lovers out there, good reading, and to those of you who write, good writing. 

TITLES MATTER



The first thing you read when you pick up a book is the title; it’s the hook which intrigues and attracts, offering that anticipatory moment between title and first page.

The majority of titles fall into two types: descriptive and evocative.

Descriptive titles indicate something of significance: the main character, Anna Karenina, Oliver Twist, Dracula; a reference to the theme or plot, Crime and Punishment, Angels and Demons; genre: I, Robot is clearly science-fiction, The Vampire Diaries a paranormal fantasy, and Confessions of a Shopaholic chick lit. These titles build expectation as they have a direct connection with the book’s subject. 

Evocative titles work because they fascinate and tempt readers. The Unbearable Lightness of Being is a beguiling title and one of my favourites, because I love the poetic juxtaposition of the words, and there’s no clue as to where this story will take you. A Clockwork Orange and Lord of the Flies are two other titles which fall into the enticing category; it's almost as if not understanding what the title refers to invites you to find out what the book is about - and it may not be what you expect.

How do writers set about choosing titles? John Steinbeck's Of Mice and Men is from a line in  Burn’s poem To a Mouse, and J.D. Salinger's Catcher in the Rye combines a children’s song with Burn’s poem, Coming thro’ the Rye. So poetry can be a fertile field when looking for a title. However, using quotes from other writers can be a delicate issue, because if you don’t have permission you can be accused of plagiarism. Older works such as religious texts or Shakespeare’s plays etc. are generally safe but if you choose this route, check with a legal expert to be sure.

Titles are often short and pithy as they have to catch the passing eye, and stick in the mind. Interestingly there is no copyright on titles, but it’s a good idea to check on Amazon or just google it and see what comes up. An original title saves your book being confused with others of the same name.

The title, like the cover, can pull readers in because we’re all susceptible to appealingly packaged goods, yet the real strength of a title is not in its capacity to attract.  The real power of a title is in its ability to summon from memory those images that live most strongly in our imagination, along with the emotions experienced during the reading of the story; and that’s something worth spending time on trying to achieve.

Writing Update
I feel so much better now I’ve started my read aloud read though and 3rd edit. I needed a break, but I have to say I was miserable without my daily dose of writing. During my last editing break I worked on other pieces, but not this time – and the lesson is learned! On the plus side - the spare room is looking much better. 

Still no working title – but I’m nearer than I was to the general idea I want to encapsulate. The time line for publication is more likely to be the beginning of August, rather than July because I want to be sure I’ve done my best, and not rushed the details that will make a difference.  So I’m enthusiastically pushing forward... the thought of having a book ‘out there’ sometime in the near future is exhilarating. 

On a more minor note, Wattpad, the free reading platform, has promoted my sci-fi flash fiction, Space Glitch, (link on the right) to its quick read list - Quickies. Taking the wider world into consideration, I know this is a small step, but to me it's a validation that I'm on the right track - and it's brilliant to find out someone likes my writing!

Today’s Haiku
greening stalks of wheat
seed heads thicken ripen beige
gold - I love my toast

Useful Links
An entertaining post about naming characters:
http://www.niniehammon.com/dont-make-these-four-mistakes-when-you-name-your-characters-2/
Dr. Jeremy Dean’s popular psychology website isn’t writing related, but the jposts could be of use to writers looking to give background or depth to a character. The article in question is a good example of how to be informative and humorous.
http://www.spring.org.uk/2013/06/beard-psychology-4-signals-that-serious-facial-hair-sends.php

I’d love it if you popped over to Wattpad and read any of my posted stories...just click on the links to the right.

Thanks for visiting my blog, and please do leave a comment.
To all story lovers out there, good reading, and to those of you who write, good writing.



WHAT'S WRONG WITH GENRE?




Do you read only one genre, or are you like me, someone who dips in and out of anything they fancy from the classics and literary fiction to steampunk? Genre novels feature a protagonist, an antagonist, a conflict with a rising arc of tension and a resolution, so why differentiate?

One reason could be because, as humans, we attempt to classify everything around us – it’s our way of making sense of the world, although that doesn't explain why genre novels are considered the poor relative to literary fiction. Aristotle first delineated the classifications of drama and poetry, yet his divisions carried no implications of superiority or inferiority.

One indisputable fact is that no-one can see inside another’s mind, or completely understand what another is feeling.  So I do wonder how can one person say that their enjoyment of a novel classed as ‘literary fiction’ is greater than someone else’s pleasure in a crime, fantasy, romance or any other genre novel? I suggest the answer is they can’t. Defining one as escapist, and therefore trite, and the other as an expression of the human condition is subjective opinion, and biased when those who adjudicate also set the rules. Is it that we’re still dominated by the cultural hegemony of the advantaged classes with their legacy of class-based hostility towards the masses?

It’s well documented that social groupings retain their status by excluding others perceived to be of lesser status. In my humble opinion the literary vs genre debate bears much of these signs. ‘Those who know best’ - the academics and critics whose reputation and jobs depend on the status quo remaining the same - lament the lack of intelligent writing, depth of characters’ inner lives and dominance of plot in genre fiction. I agree that many genre books are not worth reading. Ditto for literary fiction; a chapter consisting of nothing but a tortured soul’s musings about the frost on the inside of a window pane has the potential to render even the most tenacious reader unconscious.

Putting others down is a bullying tactic aimed at keeping them in an inferior position. When genre writers are praised yet told their books will never be seen as great literature, this attitude implies that art created for the masses must naturally be more limited than that intended for an elite. Describing genre as a guilty pleasure again hints at the unsuitability of these books to take their place at the literary table.

But times change. In 2003, the American National Book Foundation awarded Stephen King the prestigious Medal for Distinguished Contribution to American Letters; Hilary Mantel won the Man Booker prize twice, first in 2009 with her historical fiction Wolf Hall, and again in 2012 with its sequel, Bring up the Bodies; Peter Temple won Australia’s valued literary Miles Franklin Award in 2010 for his crime novel, Truth. 

For me literary fiction is another genre, and one which like a petulant child seeing someone else in the limelight (genre/commercial novels do sell more – i.e. a lot more people read them) refuses to congratulate them – or join in the fun. Not considering literary fiction as a genre keeps it elitist, and allows it to stay in its lofty tower looking down on the rest of us.

Genre is good for writers and is a great marketing tool as it enables writers to find readers, and readers to find books. The best genre writers bend, hybridize and invert genre – which makes for exciting literature. So when asked what kind of books you write, there should be  no more shame-faced head hanging, avoidance of eye contact and mumbling of your answer as you say – I write genre novels.

Writing Update

I’m eternally grateful to my beta readers and must practice patience while I wait for feedback, but I’m suffering. When will I see you again, I sob into my pillow at night hankering for my novel. I miss you! One of my readers told me he has suggestions for where I can slow the pace. This is good news as leaving readers gasping for breath for the entire book isn’t one of my goals. Tomorrow I’ll start a read through looking to make sure I have a balanced variation between dramatic and static scenes so as to improve the rhythm of the pace.

Chapter 3 of Planet Unknown is edited, but I’m too impatient to move the WIP forward to do more at the moment, and have switched it to the back burner.

I’ve had some positive feedback from a graphic artist friend on the proposed cover for The Unforgiveness of Blood. Yeah, at least I’m making progress in one area!

Today’s Haiku
LOVE
is skin on skin love –
at that place where mine and yours touch
do we become one

Useful Links:
This article comes highly recommended!
http://entertainment.time.com/2012/05/23/genre-fiction-is-disruptive-technology/ 
If you’re unsure of what genre your story falls under, this is a fairly comprehensive list of genre categories.
http://en.wikipedia.org/wiki/List_of_genres

I’d love it if you popped over to Wattpad and read any of my posted stories...just click on the links to the right.

Join me on Twitter at: teagankearney@modhaiku  

Thanks for visiting my blog, and please do leave a comment.
To all story lovers out there, good reading, and to those of you who write, good writing.

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