Showing posts with label book cover design. Show all posts
Showing posts with label book cover design. Show all posts

WRITERS WITH NOTEBOOKS





You’re lucky if you manage to spot one of these rare specimens. They’re unique in that they’re found in every environment, come in all shapes and sizes with plumage from blonde ringlets to bald pates, and can generally be found engaged in their favourite activity.  Yes, you know who I’m referring to – writers with notebooks.  

Ideas can be sparked by anything, but as many writers know if you don’t write down that idea while it’s fresh in your mind, it’s often taken wing by the time you reach for it later. Today many of us use electronic devices of one kind or another to write with, but one important tool which shouldn’t be neglected is the humble notebook.

With notebooks, size doesn’t matter, although you might want to choose one small enough to carry around in a pocket or bag. I have half a dozen books of various sizes because at one point I kept leaving my notebook at home. Some writers enjoy indulging in the luxury end of the market, and without doubt there is a certain gratification in opening a notebook whose cover is an ornately designed piece of art, but currently a 50p exercise book suits me fine. Whenever I go out, I always check I have my trusty notebook and a couple of pens with me. In the matter of pens, never rely on one, because it will run out just when you need it most.

Developing the habit of jotting down observations, descriptions of people, and places is worthwhile cultivating. A good exercise to practice when you’re out and about is to spend ten minutes or so writing what you see, hear, and smell.  Notice any actions taking place and the different shades and shapes of objects. Are there clouds in the sky? What does the air feel like on your skin? (Although the latter may be easier in seasons when the weather is not too inclement.) Try to create a written snapshot of what is around you. Don’t worry over grammar or punctuation; think like an impressionist painter, it’s all about the moment.

Another use for a notebook is as a diary. Diaries can be used to explore your emotions, and develop a deeper awareness of your internal monologue.  Both Virginia Woolf and Somerset Maugham kept notebooks which they found invaluable for different reasons.  Maugham because he intended to use what he wrote as a resource, and Woolf often recorded observations regarding her own writing process. Writers naturally take a lot from their life experiences.

Notebooks are also good for morning writing, another practice advocated for improving your writing. The theory is that by writing as soon as you wake, you’re still in contact with your subconscious, and can access ideas and your imagination more easily. Morning writing is freewriting without clustering or a prompt. A warning this practice needs discipline as groping for a notepad on a dark winter’s morning, and trying to function without coffee didn’t work for me. But I still do my best writing when I’ve made it downstairs to the warm kitchen, and after I’ve drunk my coffee!

The news, wherever you get it from, radio, tv, twitter, newspapers, is an endless source of inspiration. A story needs tension and conflict and you’ll find plenty in any newscast. A notebook is ideal for collecting ideas for later development. Even if you never expand or use much of what you’ve written, the act of observing and recording items which interest you feeds your imagination. 

You can use your notebook however you wish: freewriting, diary, morning writing, character sketches, beginnings and expansions of ideas, planning the chain of events for your novel – anything and everything. I know that for me, my notebook has become an invaluable tool in my writing journey.

Writing Update

Last week I was thinking about cutting back on my blog, and posting every two weeks, but yet here I am still posting. I must thank Anne, Carol, Vashti, Christine and Anita for their generous support and encouragement. I also read a blog last week which struck a chord as it pointed out that if you are serious about this writing business, then you should be in for the long haul. And that made me think again.

In the meantime, as I ponder whether to reduce to a bi-monthly blog or not, I’ll continue to post weekly. This week I’ve reworked another of my earliest posts which I believe is still of relevance, and ended up writing more than usual! My new blog resolution is to aim for cheery shorter posts!

I’ll finish my read aloud read thru of the WIP by the end of the week. More about this next week.


You may have noticed the new cover for One Summer in Montmartre. Giving birth to this book is like having your first child – that’s the one you learn most from because that’s the one where you make your mistakes. I changed the cover, not because of negative feedback, but because (diplomatic and thoughtful) feedback from readers said the cover didn’t indicate the genre clearly enough. I’d chosen an illustration because it resonated with the theme, but I took on board that this meant little if you hadn’t read the book.  

Derek Murphy’s posts on book cover design (including a tutorial on how to create covers in ms word) pointed me in the right direction, and I went back to scratch creating a mood board of the elements I wanted to convey to readers, et voila! 

I don’t believe people set out to make mistakes, but to err is in our nature. We, as human beings are imperfect, and our efforts will have flaws. While trying to be as professional as possible, things can go wrong. You fix them as best you can, and move on learning the lessons for next time. I do believe in this story, and with many prayers and hopes, am sending my book out once more into the world.

Today’s Haiku
AUTUMN
red throats and forked tails
swallows soar with wide spread wings
lured by southern warmth

Useful Links:
These lovely supportive people write entertaining, informative blogs that are well worth following. Check them out!
annegoodwin.weebly.com/
carolhedges.blogspot.com
http://vashtiqvega.wordpress.com/
cicampbellblog.wordpress.com
jenanita01.com
Here’s the link to Derek Murphy’s guide to book cover design:
http://www.thecreativepenn.com/2013/10/20/book-cover-design-ms-word/
The following two websites are brilliant whether you’re designing your own cover, or just looking to get ideas to give an illustrator.
http://www.thebookdesigner.com/
http://bookcovers.creativindie.com/

I’d love it if you checked out my debut novel, One Summer in Montmartre, or popped over to Wattpad and read any of my posted stories... just click on the links to the right.

Join me on Twitter at: teagankearney@modhaiku   

Thanks for visiting my blog, and please do leave a comment.
To all story lovers out there, good reading, and to those of you who write, good writing.

CAN YOU JUDGE A BOOK BY ITS COVER?



Whether we’re talking people or books, the exterior doesn’t reflect the truth of what is inside. Choices like shopping for a pair of shoes, or your opinion of the film you saw last week, have a large element of subjectivity. So when I look at book covers my own preferences naturally come into play. Choosing a cover for my book, The Unforgiveness of Blood, is the next step in my writing journey - and one that makes me excited and nervous as we’ve all been in situations where we have to make a choice, and a lot rides on that decision.

Graphic artists and those who design book covers for a living do a brilliant job of bringing to life an image which captures something of the essence of the story, and matching a writer’s vision can’t be easy – we writers are a fussy lot when it comes to book covers. And there is a great deal more involved than using Photoshop and finding a jazzy font.

                                                                          


However, when I’m choosing a novel, I’ll be honest – and I’m a visual person – the cover has no influence at all. Sure, I’d notice if it was amateurish, but I search first for genre, and if I’m into a particular author and notice one of their books on the shelf, I’ll pick up that one. Next I check out the blurb, but I always read the first page before deciding. 


Yes, I do glance at the cover but that is the packaging not the product, and it’s only since I decided to go the indie publishing route that I’ve given more attention to what is current in terms of design and layout. What I’ve found after several months of cruising the tables and shelves of my local bookshops, is endless variety (and genius) and no one common feature that says this will make your book sell.  
    
                                                                              
                                                                   
In any case, I’d like to share some of the points I’ve picked up in my research. To start with, fonts should be legible - which translates as not too fancy, or squiggly, and not too squished together as you have to factor in the thumbnail appearance. A log line isn't obligatory but can tempt readers. You can are even find fonts which are genre specific!

The cover artwork shouldn’t try to convey every nuance of your protagonist’s journey by cluttering up the space with a dozen images as this takes an artist longer to create – another aspect to consider when deciding your publishing date.  

                                                                                                         
                                                                
One piece of advice I read was, when in doubt, go for a more simple cover. Being something of a minimalist, as you’ve probably guessed by the covers I chose for this post, I love clean clear-cut designs. I’m a fan of Ansel Adams’ photography, and although I’ve not done much black and white photography for a while, I’m still drawn to the simplicity of such stark contrast. As far as book covers go, contrast is good and images with light and darker areas are effective.

There are millions of brilliant cover designs, but most people I know don’t buy a book because they love the cover. Yes, first impressions do count up to a point, and you want your cover to be professional because everything contributes towards attracting  readers, but ultimately it’s the story – what’s inside that cover – that will make people enjoy your book.

Writing Update                          

After a few days of winding down and dawdling through the pre-beta reader tweaks, I sent The Unforgiveness of Blood off to my beta readers. By the end of the week, feeling lost without the routine of working on my WIP, (the spare room still holding no attraction - occasionally I think I’ll hire a skip and just throw everything in) I've picked up and am  continuing with my nano 2012 edit. Now I have something to focus on while I wait for feedback - as well as mulling over my choices of cover design!

Today’s Haiku
QUESTION
how many veils of
deceit linger in mists of
hazy mental dust

Useful Links:
Derek Murphy’s blog is a master class for anyone thinking of going the indie route when it comes to designing covers:
This blog has a variety of designs and will open your eyes to the elements of cover design composition.
http://theinspirationblog.net/showcases/empty-space-40-stunning-minimalistic-book-covers/

I’d love it if you popped over to Wattpad and read any of my posted stories...just click on the links to the right.

Join me on Twitter at: teagankearney@modhaiku  

Thanks for visiting my blog, and please do leave a comment.
To all story lovers out there, good reading, and to those of you who write, good writing.



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